The Get Out Review: Russell Crowe has fun in a formulaic neo-noir crime dramedy

There are stories that blend high-stakes crime with simmering tension and a dash of absurdity. This is one such narrative, centering on a nightclub owner trying to trade his dangerous past for retirement, only to find himself ensnared by the very forces he tried to escape.

The premise is simple: A man seeks peace with his girlfriend, but when masked gunmen make their move, he finds himself trapped in a deadly tangle with ruthless cartels. Suddenly, a mysterious newcomer enters the scene, showing an interest in buying the business. Caught between the escalating threats, he must navigate a labyrinth of deception, power, and sheer survival, realizing that escape may no longer be an option.

At the heart of this frenetic ride is Manco Kapak, played by Russell Crowe, an Albanian native living in Los Angeles. His attempt to liquidate his Koreatown nightclub and shed his involvement in local cartel money laundering sets the stage for a chaotic pursuit. The plot kicks into high gear when Manco is ambushed, forcing him into a complicated partnership with figures ranging from crooked cops to a bank teller obsessed with the spirit of Point Break.

What begins as a scheme involving laughs and lighthearted criminality quickly darkens. As the film progresses, the tone shifts dramatically. One moment, we are witnessing a somewhat comical entanglement where characters pursue money through drinking and karaoke, but the second half plunges into a far more visceral reality. The tension escalates as the body count increases, forcing the characters—including Crowe’s character—to grapple with genuinely terrifying stakes.

This tonal shift creates a jarring experience, making the narrative feel disjointed. One moment, Russell Crowe is delivering sharp lines about his situation, and the next he transforms into a hardened criminal. Similarly, supporting actors deliver complex performances, shifting from frustrating lackeys to men dealing with brutal consequences. This dynamic, while pushing boundaries, sometimes leaves the film feeling like two different movies accidentally spliced together.

While the story has potential, it is not without its inconsistencies. The screenplay struggles to maintain a consistent voice across its sprawling landscape of action and melodrama. Director Derrick Borte attempted to weave in influences from masters like Quentin Tarantino and Shane Black, hinting at noir sensibilities, but the film often loses steam, failing to stay consistently true to its own dramatic promises.

Yet, what elevates The Get Out is the sheer force of the performances. Russell Crowe delivers a genuinely solid effort, finding his footing in roles that allow him to explore both humor and grit. He manages to carry an arc that feels surprisingly relaxed amidst the chaos. Alongside strong work from Aaron Paul and Nina Dobrev, the ensemble cast brings a unique energy to the proceedings.

Ultimately, the film is not a masterpiece of perfect execution, but it’s certainly worth watching. It stands as a testament to bold storytelling and a compelling cast that manages to thrive amid a slippery plot. If you’re looking for a cinematic experience that mixes dark crime with a touch of unhinged character work, it offers a ride—though perhaps not one that will stick around in your memory forever.

The Get Out opens in theaters on June 26th and on digital on June 30th.

Buy on Amazon