Affleck’s Gone Girl Shot DC Tone
Ben Affleck is currently dominating the conversation while promoting his new Netflix feature, Animals, in which he serves both as star and director. Far from just promoting a new project, the 54-year-old has engaged in a series of interviews, offering refreshingly candid and straightforward insights into his life and career journey.
These conversations quickly delved into the complex world of cinematic legacy, particularly Affleck’s experiences with the DC universe. He reflected on his time playing Batman and the subsequent films, offering a nuanced take on the shifting expectations of the superhero genre.
When discussing the tone of films like Batman v Superman: Dawn of Justice and the Justice League follow-up, Affleck touched upon the ongoing creative challenge facing DC: balancing mature, dark themes with broader audience appeal. He noted that the struggle to define the DC tone remains an open question, debating whether to lean into the hard-R ratings of titles like Joker or pursue the broader, more accessible style popularized by Marvel or Deadpool & Wolverine.
He acknowledged that this tension ultimately revolves around the legacy of Frank Miller and the ongoing need to decide if they are crafting the adult version or a family-friendly interpretation of their heroes—a delicate balancing act that is still unfolding. Despite the complexity, Affleck offered high praise for Kevin Feige, calling him a genius who successfully captures what the audience truly wants in storytelling.
The candid nature of the discussion shifted unexpectedly when Affleck addressed a long-standing online debate concerning a specific, highly scrutinized scene from David Fincher’s Gone Girl. Many viewers have focused on shots like the bloody bedroom scene and the famous staring sequence, but one particular moment has been particularly debated: a fleeting glimpse of the actor’s manhood while he is in the shower near the film’s end.
Affleck finally cleared the air, confirming that he did not use a prosthetic for the shot. He revealed that he had only used a prosthetic once in his filmography, specifically for a nose in Hollywoodland.
This resolution offered a welcome, if slightly wry, coda to the discussion, proving that sometimes the simplest answers are the most satisfying.
Meanwhile, the latest project, Animals, is set to stream on Netflix this Friday, offering viewers a fresh cinematic experience from the director and star himself.
Buy on Amazon
Credit
