Reviews

The Shawshank Redemption (1994)

The Shawshank Redemption Review: Hope Is a Good Thing

Frank Darabont's prison drama has become a modern classic on the strength of two superb leads and a story about patience and hope. Our verdict.

The Godfather (1972)

The Godfather Review: The Blueprint for the Crime Epic

Francis Ford Coppola's saga of the Corleone family remains a towering piece of filmmaking, powerful, patient and endlessly quotable. Our verdict.

The Dark Knight (2008)

The Dark Knight Review: A Superhero Film That Aims Higher

Christopher Nolan's Batman sequel is a gripping crime thriller anchored by Heath Ledger's unforgettable Joker. Our verdict.

The Godfather Part II (1974)

The Godfather Part II Review: A Rare Sequel That Matches the Original

Coppola's follow-up interweaves Michael's rise with Vito's youth in a sequel that deepens the original into a tragedy. Our verdict.

12 Angry Men (1957)

12 Angry Men Review: Tension in a Single Room

Sidney Lumet's jury-room drama proves you need little more than twelve good actors and a great script. Our verdict.

The Lord of the Rings: The Return of the King (2003)

The Lord of the Rings: The Return of the King Review: An Epic Finale

Peter Jackson closes his trilogy with huge battles, genuine emotion and an ending that takes its time. Our verdict.

Schindler's List (1993)

Schindler's List Review: Spielberg's Devastating Masterpiece

Steven Spielberg's black-and-white Holocaust drama is harrowing, humane and essential viewing. Our verdict.

The Lord of the Rings: The Fellowship of the Ring (2001)

The Lord of the Rings: The Fellowship of the Ring Review: A Perfect Start to the Journey

Peter Jackson's first Middle-earth film is a gloriously realised, richly detailed adventure. Our verdict.

Pulp Fiction (1994)

Pulp Fiction Review: Tarantino's Cool, Chatty Landmark

Quentin Tarantino's non-linear crime film is stylish, funny and violent, with some of cinema's most quotable dialogue. Our verdict.

The Good, the Bad and the Ugly (1966)

The Good, the Bad and the Ugly Review: The Western at Its Most Operatic

Sergio Leone's sprawling spaghetti Western pairs Clint Eastwood's cool with Ennio Morricone's unforgettable score. Our verdict.