Peter Chan predicts feature films survive AI and vertical dramas
The landscape of filmmaking is being reshaped by rapidly evolving technology, forcing established artists to grapple with the boundaries of innovation. Yet, some visionaries remain grounded in the core principles of their craft, even as the tools around them transform.
Acclaimed Asian filmmaker Peter Chan Ho-sun, known for his evocative works like Comrades: Almost a Love Story and The Warlords, offers a fascinating perspective on the integration of artificial intelligence into the creative process.
When asked about the role of AI in modern cinema, Chan Ho-sun draws a clear line between using technology as a tool and the creation of content entirely by machines. He is firmly opposed to the idea of using AIGC, or AI-generated content, in his work, emphasizing a commitment to authentic artistic authorship.
While he acknowledges that AI will likely play a role in the future of filmmaking—perhaps assisting in production or post-production—he insists that the essence of cinematic storytelling will remain human-driven.
Furthermore, Chan Ho-sun expressed a confidence in the enduring power of traditional, feature-length narratives. He suggested that a two-hour feature film possesses a structural and emotional depth that will continue to hold its ground against the ephemeral nature of short-form content and the vertical dramas dominating current media trends, at least throughout his lifetime.
His comments underscore a timeless belief: the depth and scope of a thoughtfully constructed cinematic experience offer a longevity that fleeting, rapidly produced content simply cannot match.
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