Ikiru Review: Kurosawa's Quiet Meditation on Living


Ikiru (1952)

9/10 — Ikiru (1952)

Pros

  • Takashi Shimura's moving lead
  • Inventive structure
  • Unforgettable swing scene

Cons

  • Talky second half
  • Slow pace

Kanji Watanabe, a stuck-in-a-rut civil servant, learns he has terminal cancer and sets out to do something meaningful with his remaining months. Akira Kurosawa’s film is a world away from his samurai epics.

What works

Takashi Shimura is heart-rending, and the film’s structure, jumping forward to Watanabe’s funeral to see how others remember him, is inventive. The scene of him singing on a swing is unforgettable.

Where it falters

The second half’s wake scene is talky, and the film’s pace is slow.

Verdict

A deeply moving film that asks what it means to live well.