Tokyo Vice exec: Incentives can be lower if certain
As the Tokyo International Film Festival unfolds, the conversation shifts from the silver screen to the policy behind the production. At the heart of this discussion was a critical conversation about how international content can flow through Japan, and how the support mechanisms are structured to facilitate it.
During an MPA seminar, a high-level dialogue took place between Alex Boden, a producer known for his work on Tokyo Vice, and Debra Richards, the Netflix APAC Content & Studio Production Affairs chief. Their focus was squarely on the effectiveness of Japan’s new IP360 incentives scheme.
This incentive system was introduced last year, replacing the previous JLOX framework, marking a significant shift in how the Japanese film industry supports content. The goal of the IP360 scheme is to create more robust support structures designed to better accommodate and encourage international productions operating within Japan.
Boden and Richards used the seminar as a platform to explore practical ways to refine these incentives. Their discussion centered on ensuring that the support provided by the scheme truly translates into tangible, accessible support for international filmmakers seeking to collaborate with Japan.
The conversation underscored a universal industry challenge: bridging the gap between domestic policy and the diverse demands of global production. By examining the IP360 scheme, industry leaders are actively seeking mechanisms that not only offer financial encouragement but also streamline the logistical and creative pathways for global projects entering the Japanese market.
The exchange highlighted the ongoing importance of adaptive policy-making in the global creative economy, demonstrating a commitment to making Japan an even more attractive hub for international cinematic endeavors.
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