Jennie Kermode Design Process
There is a persistent, often irrational force that shapes human experience: the desire for things. It might be a soft toy, a new phone, or a fashionable dress, but somewhere along the line, we all encounter objects that feel not merely desired, but needed. This impulse often exists outside the bounds of rational thought or Maslow’s hierarchy of needs; it shames the humanitarian instinct and can leave the frugal person feeling impoverished. Yet, the desire remains, undeniable.
Sometimes, this yearning escalates beyond simple ownership. It transforms into an intense form of identification, moving beyond merely wanting to own an item to wanting to it. This is the pull of identity, the way objects become extensions of the self.
Camille (played by Juliette Lewis) navigates this landscape with a quiet, unassuming existence. Her life is composed of routine: work, casual outings with her three friends, and occasional conversations with her mother. Living alone in a studio flat, her space is defined by simple comforts—a futon and a large collection of shoes.
Despite this seemingly modest reality, Camille exists in the shadow of that universal human impulse. Her life is ordinary, yet the potential for intense desire—for that profound identification—lingers beneath the surface of her everyday routine. The story of how this internal drive manifests in her world is about to unfold.
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