International
Britain and Ireland sights in Dinard by Richard Mowe
The cinematic magic of the British and Irish film community is set to sweep across the French coast this autumn.
Changing Light by Mallory Outis
There is something powerfully captivating about the world before the noise—a place defined by silence, solitude, and the rhythm of
Flipping the script by Amber Wilkinson
Iranian filmmaker Ghasideh Golmakani is challenging cinematic conventions with her debut feature, Head To Head. This film doesn’t just tell
James McNeill Whistler & Jennie Kermode Exhibition On Screen
The Exhibition on Screen team has built a reputation for producing art documentaries, but their true mastery lies in diving
Stay-at-Home Visuals Sept 14 to 20
The Unstoppable Force of Motherhood in Snowpiercer When a mother fights for her child, the stakes often seem impossibly high.
Spotlight on forgotten history by Amber Wilkinson
Japanese filmmaker Miwa Nishikawa has plunged viewers into the turbulent existence of a young girl, charting her journey from wartime
Unknown Woman Wins Golden Lion by Amber Wilkinson
The Venice Film Festival provided a stage for powerful storytelling, but one film truly shone with a message of resilience
Jennie Kermode and the Machine Visuals
The shadows of addiction often feel like a cruel trap, a struggle many believe is compounded by genetics and environment.
Life Goes On Jennie Kermode Action 20510
We all harbor a deep, unspoken wish: that the end of life would be a peaceful transition. While this desire
Paul Risker’s compulsion for cinema
Jessica Rothe and Charlie Barnett in Imposters Caleb Phillip’s latest feature, Imposters, is a masterclass in marital disintegration wrapped in
Jeremy Thomas dies at 77
The film world has lost a true powerhouse. Oscar-winning producer Jeremy Thomas, a figure known for steering some of cinema’s
Secret Agent 2025 Blu-Ray Action Review
The Brazilian film The Secret Agent is proving that sometimes, the most thrilling stories are those born from the shadows
Salvation by Amber Wilkinson 20507
In an era where the currency of success is often measured in vibes, the lines between legitimate entrepreneurship and outright
Jennie Kermode The Drive 20508
History doesn’t always unfold in a single, thunderous moment. Often, the seismic shifts that reshape culture and fate are experienced
Streaming spotlight: Off with their heads!
There is a certain, undeniable thrill that comes with watching a horror film, a feeling that often leads us to
Giornate degli Autori awards announced by Amber Wilkinson
In the competitive landscape of international cinema, the film Sometimes Sadness, Sometimes Rebellion (A Veces Me Entra Tristeza, Otras Veces
Moonfish visual by Amber Wilkinson 20505
The pursuit of cinematic dreams often comes with a steep climb, but for aspiring filmmakers, opportunities like the Biennale College
Coyote Vs Acme Action Andrew Robertson
The Art of the Corporate Chase: How Animation Became a Moral Compass Behind the dazzling spectacle of animated cinema lies
Diane in the Loop with Amber Wilkinson 20504
Sometimes, the most challenging subjects deserve the lightest touch. This is the delicate balance Ann Sirot and Raphaël Balboni achieve
Kitsuné-Tsuki Foxing art by Jennie Kermode
Toei Studios has unveiled a truly inventive animated short that delves into the complexities of creativity and self-perception, emerging from
Starting a conversation
The stark reality of human connection and escalating tension forms the compelling core of the latest cinematic endeavor, Down The
Ajayi and Amber Wilkinson 20502
In the heart of Southern Nigeria during the 1990s, a unique dynamic unfolded within a single home, framed by the
Desire captured by Paul Risker
Australian director Adrian Chiarella has plunged audiences into the unsettling world of queer supernatural horror with his feature debut, Leviticus.
Bucking Fastard by Amber Wilkinson
Imagine a story so utterly bizarre, it demands a director like Werner Herzog to tackle it. This is the real-life
Killed by a Woman No Paradise
For generations, the portrayal of the Middle East in Western cinema has been dominated by a singular, often mythologized image: