Odyssey claims the crown as Obsession ascends in Korea box office
The Odyssey didn’t just arrive in South Korea; it sailed straight to the top, dominating the local box office during the weekend of September 11–13. The cinematic event, helmed by director Christopher Nolan, proved that his vision continues to captivate audiences far beyond the United States.
The success of the film was staggering, demonstrating the enduring power of blockbuster filmmaking in the Asian market. Data collected by KOBIS, the tracking service operated by the Korean Film Council, confirms the massive reach of the film.
Over the three-day period, The Odyssey drew 449,474 admissions. This attendance figure underscores the widespread enthusiasm for the film across the nation.
Financially, the performance was equally impressive. The movie generated $3.9 million in revenue, showcasing a robust commercial appeal.
This success wasn’t limited to just the ticket sales; the film’s distribution and visibility were extensive. The tally covers activity across 1,648 screens.
In total, The Odyssey captured a significant 51.4% of the viewership market, solidifying its position as a cultural and commercial juggernaut in South Korea. The performance clearly established the film as a major cultural moment, leaving a lasting impression on local cinema enthusiasts.
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