Zach Cregger quits franchise films
Filmmaker Zach Cregger, known for his independent hits like Barbarian and Weapons, has made a notable pivot, opting to tackle the sprawling world of Resident Evil for his next feature. This move is less about chasing a blockbuster trend and more about asserting a deeply held desire for pure creative freedom in storytelling.
Cregger has made it clear that this project is a deliberate choice, not the start of a franchise spree. In recent interviews, he revealed that despite the success of his earlier films, he has consistently declined offers for studio franchise work, stating he has never been approached by another franchise opportunity. For Cregger, the pursuit of a specific, personal vision is paramount, allowing him to focus solely on his own narrative desires without being constrained by external data points.
So why the shift to a major intellectual property? The answer lies in a combination of enthusiasm for the game and a commitment to personal authorship. Cregger expressed excitement over the material and the story he conceived, emphasizing that he is making the film for himself. He sees this project as an opportunity to check his own creative boxes while engaging with a property he genuinely admires.
The creative process itself was meticulous. Before approaching the rights holder, Constantin Film, Cregger reportedly mapped out the film’s entire story, ensuring the narrative foundations were solid before bringing in the talent to craft the script. This hands-on approach underscores his desire to maintain full control over the final product.
When faced with questions about the film’s lineage, Cregger addressed criticism that the project was merely an attempt to capitalize on the Resident Evil brand. He dismissed the notion of him being an “apology tour” or a LARPer, suggesting that the movie will speak for itself. He believes that the final product will stand on its own merits, regardless of its source material.
While the scope of the project is vast, Cregger remains open to future development, acknowledging that he has ideas for a sequel but is letting the current film unfold naturally. The film is scheduled to hit theaters on September 18th, currently tracking for a $45 million opening weekend, signaling that Cregger’s vision is ready to command attention.