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Tag: Inside Out 2

  • Box Office Update: Minions & Monsters on track for a franchise-low opening; Supergirl plummets 73% in week 2

    The holiday weekend box office has delivered a mixed bag of results, ranging from franchise expectations to superhero fatigue, leaving some major animated features reeling while others manage solid returns.

    Illumination’s latest offering, Minions & Monsters, failed to meet ambitious predictions. While forecasts suggested the film would pull in about $60 million over the weekend, actual numbers are tracking significantly lower, with reports indicating a much softer opening of only $38.5 million for the weekend. This represents a considerable shortfall compared to earlier Illumination successes, prompting some to wonder if the Minions have reached their cinematic peak.

    Despite the disappointing start, the franchise remains strong. The success of subsequent films like Despicable Me 4, which grossed about $122 million in 2024, suggests that Illumination will undoubtedly continue to bring the Minions back to the big screen. However, with the characters having starred in seven movies over the last sixteen years, there is a growing sense that perhaps it’s time for a brief hiatus from the yellow crew.

    The overall sentiment around animated cinema is complex. While Minions & Monsters faced a rough start, other major tentpoles are also experiencing significant shifts. For instance, Toy Story 5 is showing signs of a steep decline, falling far behind expectations and heading toward $30 million for the weekend. This performance trails significantly from the massive domestic totals achieved by films like Inside Out 2.

    In contrast to the animated slump, other films found strong footing. Angel Studios’ ambitious title, Young Washington, emerged as a surprise contender, hitting third place in the weekend box office with $16 million. This performance was bolstered by the timing of its release, coinciding perfectly with the July 4th holiday and the America250 celebration.

    Meanwhile, the superhero genre continues its volatile journey. The Supergirl film suffered from what appears to be toxic word-of-mouth, resulting in a dramatic audience drop-off of 73% for its $10 million weekend gross. This decline is notably steeper than other recent superhero releases.

    In some unexpected news, the cinematic landscape offered a moment of reflection. Steven Spielberg’s Disclosure Day managed to pass the century mark this weekend, achieving a solid $5.6 million weekend total and an impressive $104 million overall gross, proving that thoughtful storytelling still resonates powerfully with audiences.

    Credit: JoBlo

  • “Toy Story 5” Has $312 Million Global Start

    The Animated Avalanche: How Toy Story 5 Set the Box Office Record

    The animated world is currently experiencing a massive wave, and at the forefront is Disney and Pixar’s latest cinematic triumph. Toy Story 5 has not just opened; it has set a new benchmark for opening weekend performance, pulling in a staggering $312 million worldwide. That impressive figure breaks box office records and signals a powerful return to the magic of Pixar storytelling.

    This debut isn’t just a strong start—it’s a statement. The film secured its spot as the second-best opening weekend for any Pixar movie globally, trailing only the monumental performance of Inside Out 2, which drew $384 million. Moreover, it achieved the best Friday-Sunday start for a film released this year, demonstrating an exceptional ability to capture audience attention right from the jump.

    The franchise’s success extends far beyond the family market; it dominates the animated landscape. Toy Story 5 has claimed the sixth-highest MPA animated opening weekend of all time, cementing its status as a powerhouse across major markets. It was the top film in virtually every major market, with the franchise also achieving its biggest debut in China, netting $18 million there.

    While other major releases compete for attention, the success of Pixar’s latest entry places it firmly among the most discussed blockbusters. This achievement comes even as other high-profile films are charting their own courses. For example, Steven Spielberg’s Disclosure Day followed a solid performance, bringing in $35.7 million worldwide and marking a significant 62% drop domestically over the weekend.

    The competition among films across genres is also heating up, with independent and genre titles showing surprising resilience. Films like Obsession generated $14.2 million domestically, while the mysterious hit Backrooms posted a solid $7.3 million in domestic earnings. Furthermore, some speculative titles are poised for massive growth; Backrooms is expected to reach $300 million worldwide by the end of today, making it the first A24 film to hit that milestone.

    Meanwhile, newer entries are also finding their footing in the competitive US market. Films like Leviticus and The Death of Robin Hood have made debuts, bringing in $2.7 million and $2.6 million respectively.

    Overall, the current box office landscape is a vibrant mix of established franchise behemoths and emerging genre hits, with Pixar’s performance serving as a shining example of how timeless storytelling can still capture the world’s attention.

    Credit: Dark Horizons