The Heretiks by Jennie Kermode
The definition of fear is constantly evolving, and this shift is particularly fascinating when we look at how different audiences process the darker side of fantasy. As the genre matures, the horror that resonates across generations changes, and this evolution is perfectly captured in recent cinematic storytelling.
A recent contribution to the Fantastic Fest lineup, featuring Gregg Bishop’s work, provides a perfect example of this maturation. It’s a classic scary witch adventure, full of atmosphere and classic frights, yet it manages to hook audiences in a way that appeals equally to adolescents and adults alike. It’s a reminder that even in the most traditional tales, there is plenty of room for modern, complex interpretations.
What truly sets this adventure apart from older entries in the genre is the profound recontextualization of the antagonists. No longer are witches automatically cast as the embodiment of pure evil. Their beliefs are recognized as real and deeply held, adding a layer of philosophical depth to the conflict.
When the protagonists are thrown into conflict with these powerful, merciless figures, their survival hinges on a delicate and often surprising alliance. Instead of facing a singular, monolithic evil, the narrative invites us to explore the moral ambiguity of power, showing how characters rely on sympathetic forces to navigate perilous situations.
This dynamic is reflected in the characters themselves. Take Cai, played by Kimberley Epstein. She is far from a simple victim; she carries a history and a certain edge, displaying a level of maturity that contrasts with the often-simplistic portrayal of magical adversaries. She is certainly crotchety, possessing a world-weariness that grounds the fantastical elements in relatable human experience.
The narrative skillfully balances the high stakes of witch-focused drama with intimate character struggles, ensuring that the scares are layered with genuine emotional stakes. It proves that the most compelling horror isn’t just about the monsters, but about the complicated relationships forged when facing them.
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