Festivals
Paul Risker’s People’s Medium
American director Theodore Schaefer has crafted a visually striking and deeply unsettling black and white satirical triptych titled The Arrow
Bumpy Ride: The Many Lives of Skintown Troubles
The convergence of cinematic vision and raw history often creates a volatile, unforgettable experience. This year, that dynamic tension arrives
Netflix fires back against Tyra Banks’ ‘ANTM’ lawsuit
In the heated discussions surrounding media production and narrative control, a sharp observation has emerged regarding the role of editorial
Unleashing wool power by Amber Wilkinson
In the heart of Amman, where history meets the relentless pace of modern life, a quiet yet profound story unfolds.
Spider-Man: Brand New Day Art by Andrew Robertson
The sheer volume of cinematic consumption in the modern age is staggering. If we look at the record of film
BTS exit forces Recording Academy to revamp Asian Pop category
The conversation around inclusivity in the music industry often involves navigating the delicate balance between organizational goals and the lived
New Vision of Old Hollywood by Richard Mowe
From the gilded age of Old Hollywood to modern turmoil, director Tyler-Marie Evans is weaving a story that feels like
Richard Mowe ignites Edinburgh’s comeback
The red carpet wasn’t just a path; for writer-director Louis Paxton, it was a portal. Last night, as he stepped
Tokyo Burst Crime City Jennie Kermode
Fans of the intense action and swagger of South Korean police thrillers like The Roundup and its sequels have found
Jennie Kermode Holy Days artwork 20452
The Road Trip of Redemption: Where Faith Meets Force Imagine a comedy that smells faintly of baked goods and spiritual
Visualizing the Lost Boys by Amber Wilkinson
Kit (Landon Tunold) takes a photo of Joey (Harris Lowe). Wayne Wapeemukwa says they settled on the settled on the
Amber Wilkinson’s Serious Take on Comedy
The world of independent cinema is buzzing this week as the offbeat comedy drama The Incomer opens at the Edinburgh
As Light As Air by Sunil Chauhan
In a film that drifts through the spiritual heart of Pakistan, director Umair Bilal’s As Light As Air delivers on
The shrinking feeling Jennie Kermode describes
The international film festival circuit is buzzing with creativity, but one story from this year’s Fantasia International Film Festival truly
Stay-at-Home Seven August 10 to 16 by Amber Wilkinson Jennie Kermode
Some sequels are met with skepticism, but when it comes to cinematic epics, sometimes the expectation is just a suggestion.
The woman who didn’t belong
French filmmaker Anna Cazenave Cambet has delivered a compelling drama with her sophomore feature, Love Me Tender. This film dives
Jennie Kermode’s Room Occupant
When you settle in for a journey into the chilling depths of folklore, you expect atmosphere. And when Severin Films
The Fated Hour Jennie Kermode
For a young woman standing on the threshold of her wedding day, nerves are inevitable, but for Florentine, the anxiety
Parchment and celluloid dialogue
The cinematic landscape is constantly evolving, but some stories possess an enduring magic that refuses to fade. One such treasure
The Name of the Rose Blu-Ray Visual Review
Step into the labyrinthine world of medieval philosophy and dark mystery with The Name Of The Rose, now available in
Dive into The Summer Book with Jennie Kermode
In a world where time seems to stand still for some, memories often serve as the most compelling narrative. This
Jake T Austin Disappointed He Wasn’t Invited to Wizards of Waverly Place Revival
The journey of creative collaborations often involves a complex blend of excitement and unforeseen shifts. While many projects navigate changes
Vampire party by Jennie Kermode
The energy at the Fantasia International Film Festival was electric, and it seemed that the buzz surrounding the premiere of
Jennie Kermode’s Visual Scene at La Place 20447
If you strip away the layers of age and the recent global pandemic, a stark reality emerges: the vast majority
Teen Dreams pursued by Paul Risker
The landscape of coming-of-age dramas often finds its most resonant stories nestled in quiet corners, and Fernando Eimbcke’s film Olmo