International

Salvation by Amber Wilkinson 20507

In an era where the currency of success is often measured in vibes, the lines between legitimate entrepreneurship and outright

Jennie Kermode The Drive 20508

History doesn’t always unfold in a single, thunderous moment. Often, the seismic shifts that reshape culture and fate are experienced

Streaming spotlight: Off with their heads!

There is a certain, undeniable thrill that comes with watching a horror film, a feeling that often leads us to

Giornate degli Autori awards announced by Amber Wilkinson

In the competitive landscape of international cinema, the film Sometimes Sadness, Sometimes Rebellion (A Veces Me Entra Tristeza, Otras Veces

Moonfish visual by Amber Wilkinson 20505

The pursuit of cinematic dreams often comes with a steep climb, but for aspiring filmmakers, opportunities like the Biennale College

Coyote Vs Acme Action Andrew Robertson

The Art of the Corporate Chase: How Animation Became a Moral Compass Behind the dazzling spectacle of animated cinema lies

Diane in the Loop with Amber Wilkinson 20504

Sometimes, the most challenging subjects deserve the lightest touch. This is the delicate balance Ann Sirot and Raphaël Balboni achieve

Kitsuné-Tsuki Foxing art by Jennie Kermode

Toei Studios has unveiled a truly inventive animated short that delves into the complexities of creativity and self-perception, emerging from

Starting a conversation

The stark reality of human connection and escalating tension forms the compelling core of the latest cinematic endeavor, Down The

Ajayi and Amber Wilkinson 20502

In the heart of Southern Nigeria during the 1990s, a unique dynamic unfolded within a single home, framed by the

Desire captured by Paul Risker

Australian director Adrian Chiarella has plunged audiences into the unsettling world of queer supernatural horror with his feature debut, Leviticus.

Bucking Fastard by Amber Wilkinson

Imagine a story so utterly bizarre, it demands a director like Werner Herzog to tackle it. This is the real-life

Killed by a Woman No Paradise

For generations, the portrayal of the Middle East in Western cinema has been dominated by a singular, often mythologized image:

Filmmaker turns sculptor by Richard Mowe

Finding the right creative space is often the hardest part of the filmmaking journey. After achieving a debut breakthrough, artists

The Difficult Bride Amber Wilkinson

The pursuit of perfection often hides the most profound emptiness. This tension forms the core of Rubaiyat Hossain’s latest cinematic

Children of the Monkey art by Edin Custo

There are scenes in cinema that linger long after the credits roll, but few possess the profound emotional gravity of

Amber Wilkinson’s Boatbuilders Visuals 20497

In a world increasingly defined by automation, there is a profound and deeply satisfying return to the tangible act of

Stay-at-Home Seven Sept 7-13 by Amber & Jennie

In an era increasingly focused on sustainability and ethical living, animation is embracing a powerful new trend: eco-friendly messaging. This

Real moments by Amber Wilkinson

The cinematic landscape is buzzing with anticipation for Dear Ajayi, a film poised to explore the delicate and often turbulent

Jennie Kermode Premature scene

There are nights defined by reckless abandon, a careless disregard for consequences, and the intoxicating, dangerous lure of wishful thinking.

When You Open The Door Jennie Kermode

“I got bitten by a wolf,” said Miki (Serena Motola). The statement, in isolation, is utterly bizarre. It immediately sparks

Hyena Jennie Kermode

The subject of sex work, while undeniably real, is often shrouded in popular but frequently misleading narratives. Navigating this landscape

Prison memories: The experience by Amber Wilkinson

In the harsh reality of institutional confinement, a story of memory, human connection, and the fight for rehabilitation unfolds on

The Girl with the Leica Amber Wilkinson

The story of Gerda Taro, the photojournalist who became the first to die on a battlefield while documenting the Spanish

Misfit life on the margins

Denis Côté’s latest cinematic offering, Nobody’s Violence (Violence Du Corps De l’Autre), is less a film and more a philosophical